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Building Machines

by Nasalrod

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  • Record/Vinyl + Digital Album

    Limited to 50 copies. 2nd pressing of "Building Machines" hand poured by Nasalrod's bassist and owner/ operator of Nadine Records, Mandy Morgan, at Cascade Record Pressing in Portland, OR. Each copy is completely unique. Comes in Black & Green, Black & Orange, Black & Blue, Black & Purple. If you specify your color preference we will do our best to accommodate it!

    Includes unlimited streaming of Building Machines via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 7 days
    edition of 50 

      $20 USD or more 

     

  • Record/Vinyl + Digital Album

    Deluxe vinyl LP pressed in assorted beautiful colors.

    Includes unlimited streaming of Building Machines via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 7 days
    edition of 400  19 remaining

      $15 USD or more 

     

  • Compact Disc (CD) + Digital Album

    A smaller, CD version of our limited edition "Building Machines" splatter vinyl LP.

    Includes unlimited streaming of Building Machines via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 7 days

      $10 USD or more 

     

  • Record/Vinyl + Digital Album

    Test pressing of the album "Building Machines". Hand numbered. Comes in a blank white or black disco sleeve with Cascade Record Pressing center labels.

    Includes unlimited streaming of Building Machines via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 7 days
    edition of 10  3 remaining

      $40 USD or more 

     

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $7 USD  or more

     

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Watermark 00:38
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Talk Talk 01:59
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The Commute 00:38

credits

released October 13, 2017

“Nasalrod completely obliterates any preconceived notions about the boundaries of genre and traditional songwriting. There isn’t any formula for what they do. The Portland band’s new record, Building Machines, will force you to reconsider the capabilities of guitar, bass, and drums. If you like your musicianship uncanny and your style adventurous, Building Machines will have you perplexed and loving it.” - Aris Hunter Wales, THE PORTLAND MERCURY

"Nasalrod’s new album is a fun, furious blast of Zappa-esque punk derangement...Landing between the prog funk of Mr. Bungle and the spastic post-punk of Brainiac, Building Machines offers a glimpse at what might happen if the Blood Brothers kidnapped Mike Patton and joined the circus.” -Peter Cottell THE WILLAMETTE WEEK

"Nasalrod’s live performances exceed expectations, with vocalist Chairman embodying an unhinged hybrid of David Yow, Keith Morris, and Mike Patton, rarely standing still and typically hovering about four feet off the ground. The dynamic, rhythmic interplay between bassist Mandy Morgan, drummer Spit Stix (formerly of LA punk legends Fear), and guitarist Mustin Douch is easily one of the most formidable aural attacks in the city. -Ryan J Prado, THE PORTLAND MERCURY

Spit Stix- drums
Mandy Morgan- bass and backing vocals
Mustin Douch- guitar and backing vocals
Chairman- Lead vocals and jump kicks

All songs written arranged and performed by Nasalrod
with the exception of Talk Talk (originally by The Music Machine)
Recorded at Cat/man-do by Bryan Wollen
Mastered for vinyl by Amy Dragon at Telegraph Mastering
Graphic design by Matt Gannon
Front cover illustration of the band by Vo Minh McBurney
Back cover photograph by Todd Walberg
Manufactured at Cascade Record Pressing

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about

Nasalrod Portland, Oregon

"The genre police will never close the case on Nasalrod. You can't call them punk because you'd be selling them short. They don't play noise rock because their songs have structure, even a dance-ability at times. You could almost call them a pop band, but they're way too heavy and aggressive. They're a band of musical masterminds that can't be caught."
-THE PORTLAND MERCURY
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